Give me the Splendid, Silent Sun

I

Give me the splendid silent sun, with all his beams full-dazzling;
Give me juicy autumnal fruit, ripe and red from the orchard;
Give me a field where the unmow’d grass grows;
Give me an arbor, give me the trellis’d grape;
Give me fresh corn and wheat—give me serene-moving animals, teaching content;
Give me nights perfectly quiet, as on high plateaus west of the Mississippi, and I looking up at the stars;
Give me odorous at sunrise a garden of beautiful flowers, where I can walk undisturb’d;
Give me for marriage a sweet-breath’d woman, of whom I should never tire;
Give me a perfect child—give me, away, aside from the noise of the world, a rural, domestic life;
Give me to warble spontaneous songs, reliev’d, recluse by myself, for my own ears only;
Give me solitude—give me Nature—give me again, O Nature, your primal sanities!
—These, demanding to have them, (tired with ceaseless excitement, and rack’d by the war-strife;)
These to procure, incessantly asking, rising in cries from my heart,
While yet incessantly asking, still I adhere to my city;
Day upon day, and year upon year, O city, walking your streets,
Where you hold me enchain’d a certain time, refusing to give me up;
Yet giving to make me glutted, enrich’d of soul—you give me forever faces;
(O I see what I sought to escape, confronting, reversing my cries;
I see my own soul trampling down what it ask’d for.)


II

Keep your splendid, silent sun;
Keep your woods, O Nature, and the quiet places by the woods;
Keep your fields of clover and timothy, and your corn-fields and orchards;
Keep the blossoming buckwheat fields, where the Ninth-month bees hum;
Give me faces and streets! give me these phantoms incessant and endless along the trottoirs!
Give me interminable eyes! give me women! give me comrades and lovers by the thousand!
Let me see new ones every day! let me hold new ones by the hand every day!
Give me such shows! give me the streets of Manhattan!
Give me Broadway, with the soldiers marching—give me the sound of the trumpets and drums!
(The soldiers in companies or regiments—some, starting away, flush’d and reckless;
Some, their time up, returning, with thinn’d ranks—young, yet very old, worn, marching, noticing nothing;)
—Give me the shores and the wharves heavy-fringed with the black ships!
O such for me! O an intense life! O full to repletion, and varied!
The life of the theatre, bar-room, huge hotel, for me!
The saloon of the steamer! the crowded excursion for me! the torch-light procession!
The dense brigade, bound for the war, with high piled military wagons following;
People, endless, streaming, with strong voices, passions, pageants;
Manhattan streets, with their powerful throbs, with the beating drums, as now;
The endless and noisy chorus, the rustle and clank of muskets, (even the sight of the wounded;)
Manhattan crowds, with their turbulent musical chorus—with varied chorus, and light of the sparkling eyes;
Manhattan faces and eyes forever for me.

by Walt Whitman

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troittoirs = sidewalks

Falling in love is like owning a dog

First of all, it's a big responsibility,

especially in a city like New York.

So think long and hard before deciding on love.

On the other hand, love gives you a sense of security:

when you're walking down the street late at night

and you have a leash on love

ain't no one going to mess with you.

Because crooks and muggers think love is unpredictable.

Who knows what love could do in its own defense?

On cold winter nights, love is warm.

It lies between you and lives and breathes

and makes funny noises.

Love wakes you up all hours of the night with its needs.

It needs to be fed so it will grow and stay healthy.

Love doesn't like being left alone for long.

But come home and love is always happy to see you.

It may break a few things accidentally in its passion for life,

but you can never be mad at love for long.

Is love good all the time? No! No!

Love can be bad. Bad, love, bad! Very bad love.

Love makes messes.

Love leaves you little surprises here and there.

Love needs lots of cleaning up after.

Sometimes you just want to get love fixed.

Sometimes you want to roll up a piece of newspaper

and swat love on the nose,

not so much to cause pain,

just to let love know Don't you ever do that again!

Sometimes love just wants to go for a nice long walk.

Because love loves exercise.

It runs you around the block and leaves you panting.

It pulls you in several different directions at once,

or winds around and around you

until you're all wound up and can't move.

But love makes you meet people wherever you go.

People who have nothing in common but love

stop and talk to each other on the street.

Throw things away and love will bring them back,

again, and again, and again.

But most of all, love needs love, lots of it.

And in return, love loves you and never stops.

by Taylor Mali

www.taylormali.com

Piano Dreams

Sometimes I'm Bobby Short
at the Carlyle Hotel where fur-tipped
women trip in from the cold
on the thick padded arms of their men.
They sparkle with new snow
and old money. But it's me
they want to see. Leaning
into the keys, I play Autumn in New York,
Misty and I've Got You Under My Skin.
The golden women tilt their heads
with a faraway look in their eyes,
and run jeweled fingers tenderly
over crystal champagne rims.
I launch into You do Something to Me
and they raise their glasses
and drink.

Sometimes I'm back
in that huge green ballroom
with the white doors
over the restaurant on High Street.
It's late spring – recital time –
and I'm supposed to practice my solo
here for 45 minutes. It's hot
so I'm thinking about the community pool, not
the Mazurka from Les Sylphides, and how
I'll ask my mother to drop me off there
after lunch. But then Stephanie Woodruff
from homeroom steps in the white door.
"Oh that's so pretty," she says, "Don't stop playing."
And she executes a little faux mazurka step
around the room, laughing –
and I laugh too and play it faster
and better than I ever have.
And she keeps dancing and I keep playing
and this is how I learn
whatever it is I know about art
and everything I know
about imagination.

And sometimes
I'm my Dad's old friend, Morty Ackerman
from Albany, who finally got tired
of hauling his combo from one
snowed-in lounge to another,
and took a job at a nudist colony
outside Sarasota. He said clothing
was optional for the staff and the talent.
He usually wore Bermuda shorts and a bow tie.
But on New Year's Eve, the story went,
just his "white tie and tail."
He claimed the ladies didn't wait
to be asked onto the dance floor—they just drifted
up there by themselves, dipping and twirling
like nymphs around the Steinway. He said
he played like some kind of crazed piano god.
He said they danced
right into January.

by Marcia F. Brown

Poem by the Bridge at Ten-shin

This jungle poem is going to be my last.

This space walk is.

Racing in a cab through springtime Central Park,

I kept my nose outside the window like a dog.

The stars above my bed at night are vast.

I think it is uncool to call young women Ms.

My darling is a platform I see stars from in the dark,

And all the dogs begin to bark.

My grunting gun brings down her charging warthog,

And she is frying on white water, clinging to a log,

And all the foam and fevers shiver.

And drink has made chopped liver of my liver!

Between my legs it's Baudelaire.

He wrote about her Central Park of hair.



I look for the minuterie as if I were in France,

In darkness, in the downstairs entrance, looking for the light.

I'm on a timer that will give me time

To see the way and up the stairs before the lights go out.

The so delicious Busby Berkeley dancers dance

A movie musical extravaganza on the staircase with me every night.

Such fun! We dance. We climb. We slip in slime.

We're squirting squeezes like a wedge of lime!

It's like a shout.

It's what minuterie is all about.

Just getting to the landing through the dark

That has been interrupted for a minute is a lark.

And she's so happy. It is grand!

I put my mobile in her ampersand.

The fireworks are a fleeting puff of sadness.

The flowers when they reach the stars are tears.

I don’t remember poems I write.

I turn around and they are gone.

I do remember poor King Richard Nixon’s madness.

Pierre Leval, we loved those years!

We knocked back shots of single malt all night.

Beer chasers gave dos caballeros double vision, second sight—

Twin putti pissing out the hotel window on the Scottish dawn.

A crocodile has fallen for a fawn.

I live flap copy for a children’s book.

He wants to lick. He wants to look.

A tiny goldfinch is his Cupid.

Love of cuntry makes men stupid.

It makes men miss Saddam Hussein!

Democracy in Baghdad makes men think

Monstrosity was not so bad.

I followed Gandhi barefoot to

Remind me there is something else till it began to rain.

The hurricane undressing of democracy in Baghdad starts to sink

The shrunken page size of the New York Times, and yet we had

A newspaper that mattered once, and that is sad,

But that was when it mattered. Do

I matter? That is true.

I don’t matter but I do. I lust for fame,

And after never finding it I never was the same.

I roared into the heavens and I soared,

And landed where I started on a flexing diving board.

I knew a beauty named Dawn Green.

I used to wake at the crack of Dawn.

I wish I were about to land on Plymouth Rock,

And had a chance to do it all again but do it right.

It was green dawn in pre-America. I mean

Great scented forests all along the shore, which now are gone.

I’ve had advantages in life and I pronounce Iraq “Irrock.”

The right schools taught me how to tock.

I’m tocking Turkey to the Kurds but with no end in sight.

These peace tocks are my last. Goodbye, Iran. Iran, good night.

They burned the undergrowth so they could see the game they hunt.

That made the forest a cathedral clear as crystal like a cunt.

Their arrows entered red meat in the glory

Streaming down from the clerestory.

Carine Rueff, I was obsessed—I was possessed! I liked your name.

I liked the fact Marie Christine Carine Rue F was Jewish.

It emphasized your elegance in Paris and in Florence.

You were so blond in Rue de l’Université!

The dazzling daughter of de Gaulle’s adviser Jacques Rueff was game

For anything. I’m lolling here in Mayfair under bluish

Clouds above a bench in Mount Street Gardens, thinking torrents.

Purdey used to make a gun for shooting elephants.

One cannot be the way one was back then today.

It went away.

I go from Claridge’s to Brands Hatch racing circuit and come back

To Claridge’s, and out and eat and drink and bed, and fade to black.

The elephants were old enough to die but were aghast.

The stars above this jungle poem are vast.

To Ninety-second Street and Broadway I have come.

Outside the windows is New York.

I came here from St. Louis in a covered wagon overland

Behind the matchless prancing pair of Eliot and Ezra Pound.

And countless moist oases took me in along the way, and some

I still remember when I lift my knife and fork.

The Earth keeps turning, night and day, spit-roasting all the tanned

Tired icebergs and the polar bears, which makes white almost contraband.

The biosphere on a rotisserie emits a certain sound

That tells the stars that Earth was moaning pleasure while it drowned.

The amorous white icebergs flash their brown teeth, hissing.

They’re watching old porn videos of melting icebergs pissing.

The icebergs still in panty hose are lesbians and kissing.

The rotting ocean swallows the bombed airliner that’s missing.

by Frederick Seidel

Elegy for Thelonius

Damn the snow.
Its senseless beauty
pours a hard light
through the hemlock.
Thelonious is dead. Winter
drifts in the hourglass;
notes pour from the brain cup.
Damn the alley cat
wailing a muted dirge
off Lenox Ave.
Thelonious is dead.
Tonight’s a lazy rhapsody of shadows
swaying to blue vertigo
& metaphysical funk.
Black trees in the wind.
Crepuscule with Nelly
plays inside the bowed head.
“Dig the Man Ray of piano!”
O Satisfaction,
hot fingers blur
on those white rib keys.
Coming on the Hudson.
Monk’s Dream.
The ghost of bebop
from 52nd Street,
footprints in the snow.
Damn February.
Let’s go to Minton’s
& play “modern malice”
till daybreak. Lord,
there’s Thelonious
wearing that old funky hat
pulled down over his eyes.


by Yusef Komunyakaa