fragment of poem, by Sappho (612-570 BC)

In my eyes he matches the gods, that man who
sits there facing you--any man whatever--
listening from closeby to the sweetness of your
voice as you talk, the

sweetness of your laughter: yes, that--I swear it--
sets the heart to shaking inside my breast, since
once I look at you for a moment, I can't
speak any longer,

but my tongue breaks down, and then all at once a
subtle fire races inside my skin, my
eyes can't see a thing and a whirring whistle
thrums at my hearing,

cold sweat covers me and a trembling takes
ahold of me all over: I'm greener than the
grass is and appear to myself to be little
short of dying

by Sappho

A Fixed Idea

What torture lurks within a single thought
When grown too constant; and however kind,
However welcome still, the weary mind
Aches with its presence. Dull remembrance taught
Remembers on unceasingly; unsought
The old delight is with us but to find
That all recurring joy is pain refined,
Become a habit, and we struggle, caught.
You lie upon my heart as on a nest,
Folded in peace, for you can never know
How crushed I am with having you at rest
Heavy upon my life. I love you so
You bind my freedom from its rightful quest.
In mercy lift your drooping wings and go.


by Amy Lowell

Elegy for the Personal Letter

I miss the rumpled corners of correspondence,
the ink blots and crossouts that show
someone lives on the other end, a person
whose hands make errors, leave traces.
I miss fine stationary, its raised elegant
lettering prominent on creamy shades of ivory
or pearl grey. I even miss hasty notes
dashed off on notebook paper, edges
ragged as their scribbled messages—
can't much write now—thinking of you.
When letters come now, they are formatted
by some distant computer, addressed
to Occupant or To the family living at—
meager greetings at best,
salutations made by committee.
Among the glossy catalogs
and one time only offers
the bills and invoices,
letters arrive so rarely now that I drop
all other mail to the floor when
an envelope arrives and the handwriting
is actual handwriting, the return address
somewhere I can locate on any map.
So seldom is it that letters come
That I stop everything else
to identify the scrawl that has come this far—
the twist and the whirl of the letters,
the loops of the numerals. I open
those envelopes first, forgetting
the claim of any other mail,
hoping for news I could not read
in any other way but this.


by Allison Joseph

The Ocean

Goodbye again. Say there is a little song in my head

and because of it I can't sleep or change my mind
about the future. Now the song runs all the way down

to the beach where I sit as if the sky

were my room now. No one, not even you,
can hear me singing. Not even me.

As if the music rose from the mouth of the ocean.

No mouth. Like rain before it reaches us.
Like wind twirling dresses on the clothesline.

Who has no one has the history of the ocean.

Lord, give me two more days. So that
the last moments may be with someone.


by Jason Shinder

Walking in a World Where We Are Sometimes Loved

---------A wind blows news the sunlight
has yellowed across the street.
---------We walk into a forest
-----------------and are lost. Either our cries
---------are heard or we bury ourselves
without God. This morning
---------was no different: new leaves
-----------------on the ground, a storm pouring
---------in through windows of that room
where we made love, thundering
---------doves flying out of our mouths.


by Timothy Liu

From a Gas Station Outside Providence

This kiss, unfinished, lips to receiver in the parking lot,
a pucker shot through a fiber optic wire
to an answering machine
toward switchboards and stations transmitting
in blips to satellites, this kiss
thrown earthward and shooting down
coils, around pipeline and electric power
lumbering underground,
up threads and transistors
and transference points.
This kiss is zeroes and ones jumbled
and tossed into a pneumatic system,
unscrambled at the end and scrawled
onto a tape recorder slowly rolling
at the side of your bed,
then slapping back, reverbed
off the ringer, a tinny phantom
of the smooch like a smack on
an aluminum can, up the same
veins through the belly of the same satellite
and softly to the side of my head;
this kiss is home before the next exhalation leaves.
I'm stooped in the booth,
pounding quarters into the slot;
yellow light droops over the asphalt,
and your ghost, too cool
and elusive with those hands and mouth
sings around me in the smell of gasoline;
whose mouth is this, scratched in static,
some droplet of a sigh, atomized,
and sputtering digitized into my room?

by Mike Doughty

Ground Waters

Yesterday, in snow's rare visit to this city,
my son and I raised his first snowman.
As we rolled the white boulders of its body
my pregnant belly nudged up against them like kin.

By evening, its body leaned to the left so impossibly
I kept checking the window for its collapse.
In the morning, even more so, the body straining
groundward as if to grasp the carrot nose
that had fallen and lay now half-covered in slush.

My son, who hasn't yet been around the block
with gravity, suspects nothing. I remember
last summer when he skinned his shin on the sidewalk.
I watched his eyes register the body's betrayal.
Yet he seems not to notice the snowman's state,
the degree of recline, how little it would take
to return it to an idea of itself.

All over the neighborhood,
snowmen assume such inspired angles,
splayed skywards as if in appeal to their place of origin,
kneeling for their own beheadings,
canted in prayer, tipsy
with the song of their own slow-going.

The relief obvious in their frozen hulking masses
to rejoin the fluid grace of ground waters.
The truth is: before I became a mother,
I knew the body's longing to be lost.
An untrustworthy lover bound
to forsake us, I'd rather do the leaving
than be left.

But now, as we walk home in the dusk,
my two-year old riding my hip,
patting my cheeks with his mittened hands,
I never want to leave this earth.
Inside the baby tumbles and reels,
already knowing where the body will take us,
that we have no choice but to follow its lead.


by Alison Apotheker